陳家翊_未知的場域_錄像裝置_依場地變化_2018年_1.jpg

未知的場域 Unknown Site
2018“National Art Exhibition-New Media Art Category", Silver Medal, National Taiwan Museum of Fine Arts
​Taiwan, Taichung

陳家翊_未知的場域_錄像裝置_2018年_5.jpg


錄像、土壤、植物、枯葉、物件
Video , Soil, Plants, Dead, Leaves, Object

300(W) x 300(H) x300(D) cm,
Dimensions variable 尺寸依場地而定

陳家翊_未知的場域_錄像裝置_2018年_3.jpg

 從人的視角俯視往下觀看,鏡頭漸漸拉近,可以看到身體在不同位置看似棲息在此地空間,彷彿自身在安然的場域裡,但實際上卻是一種不安全的衝突感,不確定的間隙與場域的場所記憶。透過影像裝置載體,影像跳脫出虛擬的畫面,傳遞給觀者強烈的覺暗示之可能。以自我身體參與於真實場域,連結地域性的人與環境關係,進而交織對未來無法預測的身士不二精神。

         〈未知的場域〉錄像裝置的四周圍佈滿大大小小的植栽、泥土堆以及磚塊,暗指這個場域最原始樣貌是大自然,但經過人為與未知的變化,卻又互相矛盾對立地產生曖昧不明的關係。指涉當下都市叢林重新回歸自然的諷刺,也對熱島效應提出警語。現代文明的興起,在這共存的隙縫裡,我們是否能尋找彼此平衡的中心點?

陳家翊_未知的場域_錄像裝置_2018年_2.jpg
陳家翊_未知的場域_錄像裝置_依場地變化2018年_0.jpg
陳家翊_未知的場域_錄像裝置_2018年_3.jpg

As a human but looking down from a God’s eye view, zooming in. It shows the bodies exist and rest at different locations as if they’re situate themselves at a peaceful location, but in fact, it shows a conflict memories of unsoundness and uncertainty between the gap in the locale and area. Through the image within the installation, image can leap out the virtual world, conveying the possibility of a strong sense of implication to the viewers. Participate a real locale with the body of oneself, while linking the environment relationship between people and locale. Further interwoven the unpredictable future and the inseverable spirit of karman.
 

〈Unknown Site〉 is a video art installation surround by variety of plants, dirt piles and bricks. Implying that the most primitive state of this site is the Mother Nature itself. But later through human intervention and unknown alternation, it creates a contradictory and ambiguous relationship between them. Satirize the reversion of modern concrete jungle to nature while warning the urban heat island phenomenon. Is it possible for human kind to find a balance point between the nature and modern

society within the coexist gap?

陳家翊_未知的場域_錄像裝置_2018年_4.jpg

2018“National Art Exhibition-New Media Art Category", Silver Medal, National